Quote:
Originally Posted by njanjayrp
Then it was prolly Koda Kumi, the empress of utterly dumb song titles such as Ex-tape...
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I'm still 1000% convinced that the original title had to be SEX-TAPE, but it was probably way too risky. And Koda can't really afford another major scandal for her career. And rightly so, she's too damn talented to be tossed out the door like Suzuki Ami.
Quote:
Originally Posted by artcika
i cannot say i hate that DAISHI DAISHI guy, but really from what i've heard of his work it really is nothing outstanding or groundbreaking, it's very typical and mediocre and quite boring for my ears, that's why i cannot understand the fuss over him.  |
Well, like in NintendoHTF1242's perspective, DAISHI DANCE is an amazing producer. I agree that their productions are really pretty, I just don't hear much variation in them. So, like with RedOne, producers that only have a certain sound feel like a step back for Ayu. At the same time, maybe Ayu's track with DD will be refreshing, especially compared to some of the overused production motifs: the expansive strings, the plain piano ballad.
I'm going to err on Nintendo's side on Sayonara. Usually, if I feel positive about something Ayu is doing, I tend to end up enjoying it more. The only exception, albeit recent, was A ONE, which I genuinely thought would not be as good as it turned out.
Still, I really wish Nintendo would post their perspective on DD. Maybe there's something about DD that we overlook?