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Originally Posted by orbitalaspect
I'd absolutely love to see BoA share executive production with her existing team. I just think that KML and IDENTITY are proof that she hasn't developed the skills to do it on her own.
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There are many people that love KML and the reviews online are pretty positive so it's laughable to read you're saying the albums are PROOF that she's not skilled enough hahahaha
Quote:
Originally Posted by Miduhyo
Then of course she slapped me in the face with the release of Hurricane Venus that same year and I stopped questioning things and just let her do her thing.
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Well, she had very little to do with the production and lyrics of HURRICANE VENUS.
Quote:
Originally Posted by Miduhyo
So, I guess I'm torn in the whole Producer BoA project. She just needs to continue to practice. Though I do agree 100% that she needs to infuse her Kpop and Jpop sounds. They're so different and though that is definitely not a bad thing, it's just that one works so well for her and the other doesn't. I don't know if it's cause she seems to have more freedom to do what she wants in Korea or what, but her Jpop nowadays (with the exception of Lookbook, that I just freaking loved) seems to be so stagnant and stale.
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Would you be a darling to explain how one of them works very well and the other doesn't? I think both are really good.
She has a Utada Hikaru status in Korea and her discography in Japan is pretty solid. After Ayumi, she's the only artist who had six consecutive albums on No. 1 in Oricon, not mentioning her songs are really nice.