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Given the climate for soloists in Japan and the current state of the industry there, I'm grateful that Koda still has firm support from Rhythm Zone. Avex is not doing well, that is a reality. The fact that they are still willing to invest in Koda, and do right by her is something we should be grateful for.
Let me be clear. I and others aren't saying you can't have honest critique or debate, but at the same time have some awareness of the alternative. If she gave you nothing, many of you would be trying to surround the avex building with pitchforks demanding answers.
I'm just happy that she's trying and still making the effort to give us something. No shade, but at least we're not being taken for granted.
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