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It may have continued from Free Me, but it doesn't sound completely the same. This one seems to concentrate more on the 60's and Motown elements, taking risks along the way. It doesn't stray away from these two main genres, unlike Free Me which had several moments where it went off the road (Cricket's Sing For Anamaria, Maybe, Who The Hell Are You, You Are) into more commercial and pop regions. Free Me also sounded a whole lot more poppy, dancey and modern.
This album reminds me of Janet sometimes, like All That You'll Be and I Want You's similar feel.
I love the direction Emma's taking with her career, although I'm not sure if she'll go on in this direction if her album keeps on flopping.
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