Ayumi Hamasaki Sekai - View Single Post - New album 'Love songs' & Ayu-produced single 'Dream ON' 12/22 [VIII]
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Old 13th December 2010, 08:37 PM
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njanjayrp njanjayrp is offline
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Quote:
Originally Posted by Baernash View Post
IMO if she'd like to than she would do it already.


Bad comparison. Koda Kumi is supporting by singing covers since some time (Can We Go Back, Physical thing). Her cover albus is weak and they released it ONLY because they have to "celebrate" her 10th anniversary somehow but they couldn't release another BEST compilation because they already did it (at the beginning of this year).


If they make covers they aren't artists but trying just earn on fans of succesful performers who did those songs originally.
There is a difference between basing your whole career on covers and recording one cover album after you've already had 10+ studio albums of your own and sold millions of cds? Also Can We Go Back and Physical Thing could hardly be labeled as covers, because they were most likely bought from their producers at the same time/even before the "originals" were recorded the same way Tohoshinki and Sarah Connor bought the rights to "Under your skin". It's really a common thing in the music industry. Besides random European singers are hardly popular anywhere else but in their respective countries, so you could hardly say she is trying to appeal to their fans, when they actually don't have any fans in Japan. Now it's different when you're covering older Japanese songs, especially when they are so old that the people who used to listen to them will still hardly care about you. So no matter how you look at it, your story doesn't hold water. Especially that only a selected few artists like Ken Hirai, JUJU and Hitomi Shimatani had success with covers, some were either very popular even before and some were forgotten quickly, while both Ayu and Ku are famous for their own songs, no one is going to look down on them because they've made a cover album.
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Last edited by njanjayrp; 13th December 2010 at 08:54 PM.
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