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| · Ayu's Official Site · Ayu's twitter · Ayu's YouTube · masa's translations · Misa-chan's translations · |
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#2
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i wish ayu could have some kinda "comeback", just like koda had with "Go to the Top"...
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#3
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Koda also came back while performing on tv, which may or may not have helped sales. But any promotion helps, rather than just one lone billboard picture.
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#4
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What about the numbers?
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#5
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people act as if ayu wasn't debuting within the top 10 or earing millions anymore... XP
there are many artists who can only dream of this kind of success! |
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#6
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^How beautiful you are had a succesful drama tie-in and Party queen had that bra cm...
Still, neither lack of promotion or song quality, japanese people are just tired of her... |
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#7
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But yeah it's most likely that they are simply tired of her and not interested. |
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#8
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As it was aimed to older people (30's and older) than usual for western jpop fandom (12s ~ 30s) it obviously reached a different demographic than the one u r used for her. |
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#9
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which is pretty good... it was way better then her last one, lol. |
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#10
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^ I think her sale keeps declining steadily but PQ dropped too suddenly
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Mit der Dummheit kämpfen Götter selbst vergebens. Against stupidity the gods themselves contend in vain. |
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#11
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Quote:
Quote:
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#12
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Well, the mini album FIVE had the HUGELY popular tie in of the Tales game.
That helped to boost sales tons. Party Queen also had the CM and a small tie in with HBYR. But if anything it shows just how ties in can help... ASB really didnt have one and look at the difference in sales. And now LOVE, which I has the game tie in... but the hype just isnt there like it was with the first game... nor did she do a live... Nor do i find this song as exciting as progress... there are just so many factors into why this is not selling very well. It's selling good, but not as good as it should. |
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#13
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^ I think ASB is the biggest mistake in her career
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Mit der Dummheit kämpfen Götter selbst vergebens. Against stupidity the gods themselves contend in vain. |
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#14
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#15
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I'm not expecting any of her 15th anniversary releases to chart exceptionally well. Without a huge break between releases, and no promotion she's not really building up any hype. I think her breaks between releases have helped her in the past, but this has been one of Ayu's most active years. Treat for the fans, not the charts. Remember that people.
Last edited by Tony G; 10th November 2012 at 04:00 PM. |
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#16
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Ayu needs to pull a Mariah Carey.
If MC can flop just as hard, if not harder, than Crystal Kay (i dont know of any comparable people. moral of the story is that MC's career took a NOSE DIVE) and come back to the top, so can Ayu. But I'm just talking about 2005's The Emancipation of Mimi. Not about her 2012 flop Triumphlop (Flop Em). Last edited by Delicious n Bold; 10th November 2012 at 04:19 PM. |
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#17
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People should stop to act as if releasing a hit was a concious decision, like "tomorrow I will release a song that will sell 4 million copies!1", unless u r already on the top (Ayu isn't), it's not that simple (and even if u r already on the top, a single can always flop).
And please, don't let Ayu take the Mariah road! She got it right with TEOM and after that started releasing the same song over and over again, just like she did on the 90s ¬¬ |
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#18
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#19
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Crystal Kay??
If ayumi wants to be popular she has to dress the part, act the part, and do a song along the line of an idol (which is what is in right now), which has no meaning, depth, substance, soul... everything that ayumi is not. |
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#20
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But what if Ayu were to relive her late 90s-early 2000s era?
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| 浜崎 あゆみ, 浜崎あゆみ, 15th anniversary, love, oricon |
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