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| · Ayu's Official Site · Ayu's twitter · Ayu's YouTube · masa's translations · Misa-chan's translations · |
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#2
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#3
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I think it was a good idea to open this thread, even though yes, it's not really pleasant that we're complaining about Ayu, we all (at least I assume so) love her and it's nice to be able to discuss about all these sensitive topics openly. It's interesting to see what everyone thinks about the new Ayu changes.
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Set by YuriChan |
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#4
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^
Same for me. I'm so glad for this thread. |
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#5
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Besides, if we have just one main one, then we don't have to have new ones popping up every other week.
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☆ bunnnniiiieeeesssss ☆ - The "New Artists You're Trying Out" Thread - |
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#6
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I like the list that was compiled - even though we get katty and throw shade but if you notice we all had the same basic consensus:
She's become un-relatable, un-creative, generic, & the standards for her brand in all aspects have tanked catastrophically. That pretty much sums it up Last edited by hsienko; 6th May 2014 at 02:13 AM. |
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#7
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I have not kept up with this thread so if all of the stuff I'm about to say has been said before sorry.
I think one problem is she finds something that works (let's say her singing a sad ballad at a concert while looking painfully out at the audience while shuya dances around her reaching to her) and then she abuses the shit out of it and does it over and over. Trust me, if she stopped performing "surreal~evolution~surreal" at concerts people wouldn't just stop coming and her sales wouldn't drop by the hundreds. The thing is, with being an artist, you have to constantly stay relevant and change your style (not terribly, but to a degree). Instead of trying to appeal to new generations of people and keeping up with the times (except for those one or two dubstep remixes) she found her niche/routine and stuck with it and these days she's seemed really dependent on it. She seems to care more about not losing faithful listeners and catering to them than bringing in new listeners. --Also, I realized that Jpop really isn't as popular as it used to be. My best friend doesn't even listen to Japanese music anymore. She's all about Kpop. They cater to new sounds and fresh beats. I'll be quite blunt here, Japanese music has a sound that really hasn't evolved. Visual kei still turns out songs that sound like they could be from 10 years ago. Hell I've only ever been to 2 anime conventions in my life, the last one was in 2011 and I gotta say it felt like a step back in time. I felt like I was in middle school again. Although there will always be otaku's in every generation I think the idea of the 1998~2005 pocky/ramune soda/inuyasha sailor moon case closed one piece naruto/yaoi/ramen/myspace generation is all grown up and moving on with their lives and the people who really listen to Jpop are the ones who grew up in that generation. Japan had their spotlight and now it's Korea's turn since kids born in the late 90's and early 2000's are now teenagers and every generation has their own likes and dislikes. Korea is definitely catering to the younger more urban pop look and sound and kids these days (that makes me sound really old) love it. Ayu is a part of that older generation now and if she really wants to be popular again she'll have to change her style. Last edited by orangeakira; 6th May 2014 at 05:09 AM. |
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#8
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![]() But thanks for expressing your frustration. I truly share your pain. (although I cannot get rid of the old image of ayu in my head, and I still follow her because I have the hope to see her creative side again) Quote:
--->>> ayu have same dancers, doing the same old choreography, crying over the same songs, making the same fake phony sad faces, singing the same damn set list that she has sang at almost every concert for the last 10 years.Quote:
But this is not an isolated "gaijin" feeling. I believe I've seen this situation happening at 2ch as well (majide source). The sensation that Jpop is dead, and all what is left was from the 90's - 2000's era (omg, I feel old right now ).
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#9
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I think Ayu is in that kind of moment of her career. (Even if in the past years her marketing decisions have been mostly terrible, imo, and that didn't help, I suppose.) |
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#10
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I don't get the "same setlist" complaint... She usually repeates 3 or 4 songs from a 22 set, what is pretty much standart to every other music act.
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#11
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^I still miss SURREAL and evolution as themselves tho
SURREAL has this super cool song vibe while evolution just get your spirit high
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#12
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Anyways, I do have a question, didn't her a Max Matsuura have a falling out a few years ago I remember somebody mentioning that during the last "Decline of Ayu" thread. Last edited by hsienko; 6th May 2014 at 09:05 PM. |
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#13
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#14
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This isn't out of spite or hate. This is just for information. I hope no one will assume I'm trying to prove how over sung some songs are. Take what you will from this post
Since I have no life and I've been avoiding studying for finals all week I decided to make a list of all her songs, and then count how many times each has been performed. I'm using wikipedia, eneabba, and the ayu news section from this site for the tracklists so some of them might be off (it gets confusing when she performs songs and it's not listed). I'm going by countdown lives, a-nation, and tours, not tv performances, and if it wasn't officially recorded and released on dvd (as in it was a one time performance at an early tour date) I'm not counting it. Although again I'm kinda iffy about the a-nation performances. Also "surreal~evolution~surreal~" I'm counting as a performance for each song -one for surreal and one for evolution-. I'm also counting each song in a medley as it's own performance, and just for the hell of it I'll count return road from hotel love songs as a performance since we sorta kinda got some footage of it during the credits. I bolded the ones she performed 10 or more times. Spoiler:
Last edited by orangeakira; 7th May 2014 at 02:31 AM. |
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#15
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I don't think ayu is so uncreative. Maybe love again is. That would be how I define that. But NL, RnRC, and Love songs weren't lacking in creativity to me and had lovely themes too. Same for the last few tours before ABL. And her being relatable is subjective. Though maybe I'm just too emotional and have to much empathy. I still really connect with and love taking in what she sings about. Buy I can see how other people would fail to relate. She is very different from most of her fans I'd imagine and is in a different place in life.
Ayu just seems so wise sometimes though as a person. and still has some awesome things about her career. I can't just believe that she is some completely lazy diva who doesn't even try. Idk. On another note, I think sometimes I have to step back and remember that I don't know the real ayu. Which is disappointing. Like I don't really know what she thinks, how she feels, what problems she may have. I feel like I've always viewed her as this idealized woman and had the highest expectations because I didn't view her as human like I would a personal friend who I give less judgment and more understanding to when things aren't perfect. I wish ayu could be perfect by my standards. And she's come closer than any artist. But idk, I feel like I've only realized all this this year. And it has made me more chill about what she does while still able to critique I think what I would like from ayu for this new album is a music video that pays attention to detail. She doesn't always have extra special music videos but I want something like alterna. |
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#16
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I love Ayu dearly, she's been an inspiration for me for a decade and has dictated a large part of my life. Coincidentally, each release was appropriate for me at that time, as if I was making the music:
NEXT LEVEL > going to college, visiting Japan Rock'n'Roll Circus > fights with friends, quit college, moved back home Love songs > went to Japan alone, very happy, dating, going out, making friends Party Queen > lived in London, became alcoholic, partied 4 times a week to forget LOVE again > I was in Taiwan, feeling amazing & better HOTEL Love songs > became drug addicted & crazy Hello new me > back home and myself again So I love her dearly, but ever since Power of Music I haven't connected with her music at all. Production is bad, her vocals lack emotion, the concerts are like circus + broadway show, recycled stuff... Can't wait to see what's next, though.
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#17
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I fear, a lot of the new album could vastly suffer from a tremendous amount of cheesy dubstep/drum'n'bass elements. I have that distinct feeling for a couple of weeks by now. I'd be entirely devastated, to tell the truth. Fingers crossed it won't happen...
Last edited by channy; 10th May 2014 at 09:48 PM. |
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#18
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I am still hoping that this works out very well and isn't garbage or just okay, but not great. I'm excited. Either way, I am glad she that she is hopefully switching it up |
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#19
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I can't wait! I hope she does a shit-ton of it. Love Ayu's voice with these types of arrangements.
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#20
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Well, this isn't going to be a full electronic album, we have Pray and Hello new me, the typical ayu ballads
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