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| · Ayu's Official Site · Ayu's twitter · Ayu's YouTube · masa's translations · Misa-chan's translations · |
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#1
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^True that. But I hope they count the last week's sales as a combined in this week's ranking. I'd hate to see her lose her #1 streak. Especially now, after everything...
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#2
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aww
i'm a bit sad, but that's the way it is |
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#3
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IF album sells more than 500k, it's GREAT
, as the drop isn't huge, like poor BoA's was, and Otsuka's as well.
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#4
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Exactually, it's still good she can sell more than half a million and her sales don't drop to 200,000-400,000.
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#5
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I'm surprised ppl here are taking it pretty well with the #2. Thats good.
Great sales...more than alot of ppl predicted based on the single sales...so thats good!so now that's out of the way, hopefully avex will announce the asia tour dvd soon! |
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#6
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yeah... congrats ayu we love yu
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#7
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I guess most of us have already get the fact digested a week ago. Remember, we have been discussing this for a week already.
I'm pretty disappointed that the no. 1 streak is gone finally. However, even if this album survives, I'm sure that ayu will not escape easily next time. Also, almost every artist will face this "not no. 1 anymore" one day, unless the artist chooses to retire during his/her shiniest era. So I guess we, the fans, can go to another cycle now. We dun need to actually get worried about whether the no. 1 streak can be maintained. We just need to concern about whether the upcoming materials have better reputations or not. To ayu or us it's probably a relief .And last but not the least, GUILTY is doing much better than I thought. It's just 60K less than Secrets for two week sales. I guess this album will get over 500K eventually. The only sad thing is that ayu's 10th anniversary is not that perfect anymore.. .BUT I have a feeling that ayu will produce better music this year... TBH my feeling towards "Secret to GUILTY" era is similar to "I am... to RAINBOW" era. I lost interest on ayu's music during the I am/RAINBOW era. At this moment I dun feel ayu's music is very interesting either, except that I did buy Secret, while I didn't buy I am... .
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#8
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Quote:
![]() Question: I'm still confused! They didn't count a week or did they? @namiie: I agree namiie. I'm a fan of her older and newer work. I always think ayu songs are good. I'm never disappointed in them...well, prolly a couple but that's about it. Last edited by Luv ~Venus~; 8th January 2008 at 01:28 AM. |
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#9
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The 2 weeks is lumped into 1 huge week.
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#10
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to be honest, sakuranbo is kinda like a one hit wonder, as ai-chan has nothing to compared with it afterwards (even tho she is still popular afterwards). Of course technically speaking it should be called "the signature song of otsuka ai".
I just hope that something like STEP you will appear this year. Maybe STEP you wasn't a huge seller, but at least it was a still big hit for ayu. Well if she's making something that can be compared with Boys & Girls/A/SEASONS/M/evolution, that will be really wonderful .
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#11
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![]() And no.2 isn't really getting to me, she still Ayu, popular or not. |
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#12
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. But I kinda feel it's sorta like somehow. Yes SMILY/Planetarium were really popular as well, but it's not up to par with Sakuranbo in terms of longevity and sales (even tho I hate this song). And too bad it seems like Ai-chan cannot make another 500K seller (judging by her recent sales..). It's like, if you ask anyone which ai-chan song is the most popular, everyone will point towards Sakuranbo.Ayu or hikki are different on the other hand. They have more than a few songs that hit million marks (ayu: B&G, A, SEASONS, M, or even evolution, which was about 960K sold) (hikki: Automatic, Addicted To You, W&S, CYKAS?). About ayu's most popular songs being released in her prime theory.. Well I sorta disagree. As a fan going through LOVEppears to GUILTY era (well too bad I wasn't into JPop when she released A Song for XX), I still consider SEASONS, M, evolution, etc. are one of her best works. Those songs are more unique in their own ways, unlike recent her works. Honestly I cannot see the difference between fairyland/BLUE BIRD/glitter. They have the same formula.. similar melodies, similar tones, etc. It's like whenever she's releasing a new single, it just sounds like recycling her old materials. That was how I felt back in I am to RAINBOW era (e.g., Free & Easy sounds too similar to M). And thank god she released Memorial address, in which the materials sounded quite different compared to the works in I am and RAINBOW. And somehow I believe ayu's going through the cycle again, as I have faith that she'll be releasing some spectacular like Memorial address again this year.
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#13
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And well glitter and BLUE BIRD might have a "similar" formula, but they are different, and fairyland was less happy than the other 2 in my opinion, and I don't really see it as a summer song.But sure, I agree that LOVEppears/Duty/I am.. songs had uniqueness that not every song has.And that probably what Ayu needs now if she wants to get back on the top, something new, but at the same time totally different from anything else others are doing.I am not saying she isn't different, just that she has created her own style, and that she seems to be sticking to it. Last edited by njanjayrp; 8th January 2008 at 01:59 AM. |
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#14
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If you've been taking notice in her concerts, Ai's signature song is now branching out from Sakuranbo...."Happy Days" and "SMILY" are definitely becoming fast fan favorites and are performed at every concert.And *I* honestly think you can throw in "July 1st" and "Greatful Days" in with the "fairyland/BLUE BIRD/glitter" mix. They are quintessential summer songs--happy lyrics, danceable melody, the works. However, people to tend to leave these summer songs out when comparing summer releases because they are more old school Ayu--the Ayu that everyone likes to glorify and leave recent Ayu in the dust. I do agree on the awesomeness that is Memorial Address though. However, I think that Ayu hasn't stopped being unique. I was struck by how amazingly original "Ourselves" as a song is (albeit the PV was not up to par). I think "until that Day..." is pretty unique in itself too, and what about "kiss o' kill"? Chainsaws are definitely something Ayu--and many pop artists in general--usually don't throw into their songs. And hello, "Bold & Delicious"??? If that isn't unique for Ayu, I don't know what is. I'm not trying to say that Ayu is 100% awesome 100% of the time (I gave "fated" a good 50 listens before declaring it absolutely boring, which it is), and she does have her share of "WHAT THE HELL IS THIS" when it comes to songs (see "Humming 7/4" XD), but I do believe that her new music is not bad at all. I'd rather take the vocal improvement present in something like B&D over the ~totally original~ but frankly quite horrible vocals of "Heartplace". It's all about acquired taste I think.
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Last edited by namiie; 8th January 2008 at 02:14 AM. |
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#15
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I'm not saying Ai-chan can't prove it since she's still like the mid of her 20s. The thing is, right now Japan is not giving her more time at all. Looking at her recent sales it seems like she starts fading already. She gotta make something different from Sakuranbo / Happy Days / SMILY / frienger / CHU-LIP / PEACH. I guess people are getting tired of her similar happy songs. I do think those songs are different from each other.. somehow the instrumental arrangements are freakin' similar. (Btw I believe that ayu and hikki have already proven how good they were even before their 4th year) Yes, Greatful Days are July 1st~2003 ver~. Actually Until that day is quite similar to other songs somehow. BUT the difference is again the arrangement. She (or the arranger) can try something else other than hitting the drum/guitar/electrical piano everytime. The reason I dun wanna mention Bold & Delicious is that it's actually a flop. Dun get me wrong, I really love the song, and I think B&D and Pride are super unique among ayu's songs. The thing that the majority doesn't accept this dramatic change at all. It is always hard to try out new things. I'm kinda disappointed that many people wanna wipe out these two songs out of ayu's discography, because melody and arrangement wise they are really excellent. Sigh... the thing is ayu doesn't wanna get rid of her mates (such as peco and princess, and no need to mention her guiltar/piano/other instruments players etc.). Sometimes I kinda wonder if this is why the arrangement getting restricted? 70% materials in the albums must have all of those elements so that her players can actually play at live. Her songs should include some other instruments rather thans essential 5 (or 6 or whatever how many people in her band).
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#16
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Well to me, I can't put songs like independent, july 1st, unite! with fairyland, blue bird, glitter...even though they're all released in the summer, they sound so different. Its not because of the era it was released in. Its the songs itself. Fairyland, blue bird, and glitter sound too summer beach...and I really can't listen to them whenever...especially non summer time. Songs like independent, unite!, july 1st don't sound as summerish and they're more like step you concert type of songs...and I still listen to them now whenever I feel like listening to upbeat songs. If fairyland, blue bird, glitter was released during her peak, I still wouldn't like it...just like I don't like audience, fly high, trauma. Inspire was the last summer song that I really truly liked. MY ALL is the type of song I've been waiting for ayu to release in the summer...but too bad she released glitter instead.
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#17
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![]() Sadly, I think the reason those songs are only considered as epic and majestic as they are is because they were released when Ayu was in her prime---1999 to 2001 (and a little of 2002). They are still good songs, but face it, if they were released in, say, 2006 or 2007, many people would brush them off as "boring" like they did BLUE BIRD or fated. Boys & Girls would be just another "cutesy happy song" and "M" would be another "Oh, another rock song?". I think that if they were released recently, they'd elicit those kinds of responses. This is IMO only of course, but lately I'd say it's become rather trendy to hate on Ayu's recent releases and glorify her beginning days. Of course, her earlier albums were fantastic as well ("A Song for XX" remains one of my fave songs to this day), but people fail to recognize how far she's come as a singer lately too. For example, I'd rather take "Will" over "TO BE" anyday. While it's true that she's simply been in the business for a while and that people's interest in her is decreasing, I believe there is considerable bias toward her older work that causes some people to almost automatically brush off her new work.
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#18
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so does that mean this ruins her #1 album streak? :-\ or did that streak just consist of daily number 1's? haha...
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"Remember, don't let others dictate your music taste. If you like whatever you're listening to, keep listening to it." |
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#19
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i think the sales arent bad at all, actually compared to secret's 2nd week 494,399
theres a gap, but a small one good for ayu, and come on guys, being #1 is not everything in life
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#20
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to be honest.. I am really sad that this album did not make no.1, I was hoping that she would have at least 2 more no.1 albums.. to continue her no.1 streak. I can't believe it came so soon... especially since their is so many sad news about ayu from her left ear to her best friend. This is not how her 10th anniversary should start. I can't believe avex, and her fans in Japan let this happen to her. (I will get over this in couple days...)
Last edited by jkm444; 8th January 2008 at 01:47 AM. |
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| 浜崎 あゆみ, 浜崎あゆみ, guilty |
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