· Ayu's Official Site · Ayu's twitter · Ayu's YouTube · masa's translations · Misa-chan's translations · |
#41
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#42
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The concerts are a different story :-) I first heard Koda when she covered "Cutie Honey" (song that I really liked) and although she was dancing and singing live performing this song on TV, I was very disappointed she could never hit the high notes in the chorus. Last edited by Chris85; 25th January 2019 at 06:58 PM. |
#43
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I'm not all that into her tv lives, so I don't remember if it was a lip sync or if it was REALLY bad and I'm mistaking it for an early cdl where she lip synced. But even if that happened on TV, it was literally once.
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#44
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#45
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It was Seasons at CDTV.
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#46
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#47
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un asterisco en la palma de mi mano, una acotacion de tu puño y letra |
#48
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With Namie's comeback, I think she earned every right to call herself the Queen of Hip-Pop. She managed something no other major pop idol has ever done: She became the biggest selling female artist early and late in her career. With Ayu, she's always had an insane amount of finesse to her image, music, lyrics, PVs, etc. For her, it was always about the "experience" or the "story". With Koda, she's just always done equally well both the singing and dancing. My only wish is that we saw more stuff like "Alive" and "Koishikute" throughout Koda's heyday. I still tear up when I listen to "Alive", since it's the most unexpected amazingly done song I'd ever think to associate with Koda. Overall though, they all three, alongside artists like MIKA NAKASHIMA, BoA, Otsuka Ai, Suzuki Ami, all win for being the defining elements of the era in Japanese Pop music that saw more sales, more creativity, more immersion into music as an art than any other time in history. I'm eternally grateful I got to live and be old enough to be aware and share in it with others.
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