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| · Ayu's Official Site · Ayu's twitter · Ayu's YouTube · masa's translations · Misa-chan's translations · |
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#2
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__________________
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#3
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I absolutely don't agree This album is so nostalgic but I understand when people say that this album can be boring because there are a lot of Mid tempo songs but songs like Walking Proud, Liar, About You, Winding road, Happy Ending and Hope or Pain are not generic (in her discography maybe) I can't pretend knowing all the japanese singers but among her peers she is the only one who tried these kind of stylesQuote:
Last edited by mizuki-7; 16th December 2013 at 09:15 PM. |
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#4
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and lol, Ayu made those songs but they're standard fare. All of you little godasaki stans try to say she's some groundbreaking artist but all of those songs are run of the mill, typical jpop and SAFE jpop at that. Just accept that it'll never slay. Either way, I'm done.
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#5
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This forum is more and more funny ! you cant speak without being attacked ... ![]() I am not a stan and I don't put her on a piedestal I just say she has experimented more music style than her peers that's all ! give me examples it's to easy to say "typical jpop safe" ... Last edited by mizuki-7; 16th December 2013 at 10:57 PM. |
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#6
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And a fan supports, but doesn't praise everything -you're a fan, congrats. And you really want examples, huh? These are soundwise, fyi: - ASFXX, but that's her debut so I won't count it - B&G, Trauma, Immature, TO BE, Love ~destiny~ - Girlish, Audience - connected (even if I love it), untie!, asib -RAINBOW is nearly flawless, but Real me and July 1st. Independeturo too. -MA has Angle's Song. -MS.... Happy Ending, Hope or Pain, HONEY, Replace, winding road. walking proud is an A grade ballad, but you can't deny its the typical one. -(m)u was very out of the box Won't do the rest, since i think you get the point. |
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#7
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She did and does experiement, mostly by mixing genres on an unexpected way: RAINBOW, (miss)understood, Party Queen, Duty, NEXT LEVEL, Love songs are filled with tracks pop singers wouldn't release. She does experiement a lot more than Koda (you can count her risky tracks with your fingers) and Namie (that usually follow the genres closely). Ai Otsuka experiements as much as Ayu (but she, as a musician, plays with structures instead of mixing genres) and Hikki has the weirdest pop catalogue ever since Deep River. Ayu (and Hikki) are huge parts on creating the sound of post 2000 jpop, but the artists following them (not everyone is) usually uses their less intersting material or a waterd down take on their most interesting as influence. FIVE was a release focusing the general public and not her fanbase, that's why it has such an un-ayuish vibe. Considering it's her bst selling original EP on iTunes, it worked. |
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#8
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If ayus music is so generic and jpop safe, then why is it that I can't find any other jpop artists who quite fill her void or make their attempt at "generic safe jpop hits" even half as good as ayu does them? If I wanted someone who did some strange svante garde shut then I wouldn't listen to ayu. I'd listen to some flop of the charts like rurutia. At the end of the day, she makes good JPOP. Or did. She is a JPOP artist, glorified. Last edited by Zeke.; 17th December 2013 at 01:32 AM. |
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