![]() |
| · Ayu's Official Site · Ayu's twitter · Ayu's YouTube · masa's translations · Misa-chan's translations · |
|
||||||
| Notices |
![]() |
|
|
Thread Tools | Display Modes |
|
|
|
#1
|
||||
|
||||
|
I feel like people are just using this topic to unfairly rip on AKB now.
You don't have to like them but a whole bunch of these comments are blanket-labeling AKB as just pedo-otaku bait based on their promotional concept (discounting the more serious and interesting lyrics they have). People do the same thing to Ayu's career blanketing her as a desperate has-been trying to stay relevant but we'll point out how they're not looking beyond the surface.... AKB isn't perfect but I think we can discuss this without hypocrisy...obviously time will tell who has the greater impact on popular culture. Japan's music industry would probably need a major overhaul to counteract sales inflation and better represent the general public's thoughts on groups. I still think it's crazy it took so long for AKB to overtake Ayu considering how many copies they can sell. that in itself says a lot about Ayu's legacy. |
|
#2
|
||||
|
||||
|
Quote:
What bothers me is including them on a sales ranking because I do believe that their sales are illegitimate to a high degree. |
|
#3
|
||||
|
||||
|
Quote:
Artists have tricked their way intosales for a while. Be it with different jackets, different bsides or special editions. Oricon is aware of all this, hence why they have applied so many restrictions in the sales, but they're still getting those sales. Tsubasa wa Iranai, for example, sold 1.5 million according to Oricon. According to Billboard? 2.5. Sure, it was an election single and people go nuts buying those, but those were still cds sold. To those surprised that it took them so long, two reasons: Their first million wasn't until 2010 (5 years after their creation), and Oricon isn't counting everything since a couple of years ago. They are probably a bit more ahead in copies sold, but whatever. Again, this record thing is futile anyway. Everybodyknows how AKB gets their sales, so it should not be taken seriously. But it's also not a reason tobash them when they have over a 1000 songs with plenty of masterpieces scattered around them. |
|
#4
|
||||
|
||||
|
Quote:
And sure, it's true from a business standpoint a sale is a sale is a sale and the record companies don't give a damn if half those sales either end up in the trash or overflowing the shelves of used cd stores. But that's why now, you simply have to view the oricon ranking as a ranking of physical sales and that's it. It no longer represents an actual ranking of popularity or impact. In short, Oricon has delegitimized themselves through this. Well, this and counting Exile's "million seller" single, because those sales were BS as well. |
|
#5
|
|||
|
|||
|
Quote:
The whole idol business, Johnny's included, is (sexual) abuse of children and teens and it's well known that those children are also abused by men in the industry on a regular basis. When I thought it couldn't get any more disgusting, AKB and its sub groups entered the stage and topped everything we have seen before. Those children are used by one man in order to earn money for him. And as soon as they get too "old" and aren't interesting for pedos anymore, they get thrown away like garbage. They all deserve better. |
|
#6
|
||||
|
||||
|
Quote:
Just... wow. What a mind. If those abuse are so well known, do you have receipts? Cause if not, you're just talking bs. As for their age, Kojima Haruna graduated this year being 29. Had it not been for AKB, she wouldn't be the model she is today where she's flown around the world just to rub shoulders with other models and designers. Shinoda Mariko came into the group when she was 20. She was working in the AKBcafe and the fans reques6ted for her to be into the group. Yeah, those fans that you just bagged under the same label got a 20year old girl to be part of the group she moved to Tokyo for. So sick. If you're not their fan, fine, but this lashing out is worse than stan twitter "oh my fav isnt doin so well I'm gonna bash the next girl". Sad. By the waym , AKB's 50th comes on November 22th. You can count another million.
|
|
#7
|
||||
|
||||
|
it happened to namie too. With the threat, why is namie so famous??. I mean really, namie also wasn't "culturally relevant" or an "artist". According to some who can't just stand the fact that some artists are "it" right now. Who's next utada??.
__________________
*Sipping tea* |
|
#8
|
||||
|
||||
|
Quote:
. In the 90s, Namie was the best thing since sliced bread for young women and started many trends.The artist thing could certainly be argued though. ![]() Quote:
So it's not quite fair to lump everyone as being pedophiles, Johnny's particularly, in general, have a far more general audience than the female idol groups do. BUT in particular with the female idols, they are indeed extremely exploited by the companies that they work for, and if their fans truly cared about them, you would think they would be standing up for them to be receiving better treatment. This isn't something that is just specific to the idol industry unfortunately though; it's something that is ingrained into the culture itself, so there is still quite a long way to go before women, especially in the entertainment industry, are seen as more than just puppets on strings. Last edited by SunshineSlayer; 17th September 2017 at 05:52 PM. |
|
#9
|
|||
|
|||
|
Quote:
My point was that with AKB and its subgroups, an idol group was created, that first and foremost is promoted and sold for adult men to masturbate to. If AKB would only be popular among teenagers, so be it. But the main marketing target are adult men, since they have the money to buy all those bikini shots and hundreds of CDs. The way AKB is marketed isn't compareable anymore to the way Momosu was at their high. Momosu's main marketing target were teenagers, especially girls with the same age as the members back then. There would also be a lot to criticise regarding Momosu, but looking back, the early Momosu (I don't know the current Momosu) was nowhere the level of objectifocation AKB is. If normal people now support AKB and buy their CDs and go to their concerts, they actively support the abuse of children. Only because 5 out of 50 girls aren't minors anymore, doesn't make it any better. Not to mention that they were children, when they entered the industry. Those girls are forced to make "sexy" bikini shots, dance as if they are having sex on stage and so on. Making children do this, so that adult men gain sexual pleasure from it, before they even know what sex is and before they had a chance to explore their own sexuality, is sexual abuse of children. So if people support AKB, they support the sexual abuse of girls. And regarding Johnny's, I wasn't saying that their audience consists of pedohiles, which obviously isn't true, but that there were some more or less better known cases of men in the industry taking advantage of boys who are under Johnny's. |
|
#10
|
||||
|
||||
|
Quote:
![]() This absolutely is true. While yes there are idol groups that consist of people in their 20s, many groups, especially AKB have very young girls in them. I don't think anyone is saying that ALL idol fans are perverted men. But that absolutely is a significant aspect of the idol business and culture in Japan and around the world, especially for girl idols. |
![]() |
| Tags |
| oricon, records, sales |
|
|
![]() |