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· Ayu's Official Site · Ayu's twitter · Ayu's YouTube · masa's translations · Misa-chan's translations · |
#21
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#22
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#23
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Kazuko thought the white stuff was milk..and really...why would she put MILK in there. > >;;
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#24
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Actually, I was thinking...
The white stuff is sticky. Perhaps, it's holding her down, like she's trapped and can't move on.
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#25
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i thought it was a beautiful pv. yes its about prostitutes, but its more than that. its actually about they're insecurity, the fact that they feel trapped in that lifestyle. they can't love. a sad sad existence. the guy treats her bad and then he realises his mistake, he realises that she's a real person and goes back to apologise. ayumi's just trying to help us to understand that these are real people, they dont choose this lifestyle because they like it, they are in pain. showing even herself as a prostitute conveys that these are real people, all kinds of people. u shouldnt see it as so black and white. and i think the white stuff is innocence. the pv's about EMOTIONS not sex, jeez ppl
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#26
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and yea i totally agree with shiso
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#27
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prostitutes usually don't want the semen to get on them anyway ..
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#28
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semen???? yeah it did not look like semen x_x
i like the white purity idea as well o.o
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and I know: you will always love Sorrow. is that why you gave your dress to Happiness? cause it matches her eyes, when she cries. |
#29
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#30
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She wakes up - in literature this would be called an awakening, or transition from one phase to another, BLAH he throws money at her on the bed, kinda shows he is careless (at least now) and wipes his nose with his hand, and slams the door.
To me that says he doesnt have feelings for her. The transition then, to me, is that if it IS starring prostitutes, he must have acted differently at first - he paid to get it on, right? She's in a bed, people who think this isnt using a theme of sex are just putting a blind spot on what they cant accept. The red crosses mean something too. They're in the bedroom, and outside when they are on that turn table thing. I dont know what it means. I like the room. There are no windows but one door. And in that door is like a peek-hole the men are oustide lookin in. I think. I may have to watch it again but okay. THE CHILD TOYS on the shelves definitely represent PURITY or INNOCENCE. I dont know why they are trapped in that room. Maybe they feel trapped. With nothing to look at but purity and innocence... The white stuff, heh, I dont want to be as bold asnmfirsaeg Yeah semen doesnt look like that, but what else could it be? Ayumi's not going to (in reality) WALLOW in SEMEN, and what do we know about semen? -It's whitish -It's sticky & runny LOL -And only men can make it! sorry girlies Okay so, is it white? chyeah, is it runny? chyeah, is it sticky? I dont know but its still on her hands after running off of it. And theres that man paying the prostitute in the beginning with no feelings. I think it must be semen. So if it's manjuice, why is it even mentioned? I think it was a bit TOO bold of ayumi (or whoever made her do this). Personally, the stuff to me means consummation, desire, and something extremely intimate. It's really bold, yeah, and its making a bold statement. I think it is interesting to note the bigger television is the one her body is displayed, and her face on the smaller one, Kinda like You have to look past just the sexiness! There is someone who needs love behind the money. Thats what I think. The roses - I think he realizes something. Its in his eyes, and he gives it to the girls. I dont know if he gave it to all of the girls, or if those people represent ALL girls feeling trapped, or ALL men feeling like they dont care past the big tv. But she doesnt accept the rose. Thats what I dont understand, maybe it just hurts too much? Because she cries at the end. It may be gross, I personally HATE this PV, but it has a lot of symbolism, used to express something really intimate, I think. |
#31
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but why would the backdrop (which is all dark and dank) be covered in splooge in the end? that part doesn't make sense with the semen theory.
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#32
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