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| · Ayu's Official Site · Ayu's twitter · Ayu's YouTube · masa's translations · Misa-chan's translations · |
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#21
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Wow!
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#22
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wow, that must suck. considering half the teen population listen to some kind of foreign music (not including hawaiian) in hawaii. I even introduced it to a few of my friends, who are pretty much into it now. I think that people should be more open to this kind of stuff, because what Ayu, Otsuka Ai, Utada Hikaru, or may be Morning Musume even, release is MUCH more meaningful than stuff that win over the teen population here.
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#23
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yeah...whatever..from what i know japanese song is the best for me
i'm confuse with people that just want to hear a small cup of song in their live
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#24
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Are they forcing us to speak english? or to learn english? o.O
That is so mean....TT_TT
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#25
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^Yes, it's petty mean...
It seems like many English-speaking people doesn't like to listen to other languages than just English.. but for example, here in Sweden we listen to many languages, not only Swedish and English.. oO Our local radio even plays some Japanese stuff.. XD But it was an interesting article, by the way..^_^
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#26
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actually, sometimes i think Japan's is bigger than the US but that's just my personal opinion. LOL, I mean considering that the music and videos are in much better quality as far as my own ears go.
Umm, hmm...well you know the title of the article is a little cruel when you think about it...BUT; this is what I expect from most people as far as J-pop. Althought Hikki didn't perform in the UK or really (majorly like other artists here in the US) did anyone ever think that maybe she was welcomed to be featured on a show??? I mean I know "easy breezy" was a floppy song; BUT it's was better than anything Sean Paul has put out...HELL; you can't even understand WTF he's saying half the time. But people still listen to him & give him stage time. The truth is, people don't listen to foreign music is because they don't want to. If they can listen to American music well, that's them...If they listen to outer-space music; that's still them: PEOPLE don't really like stuff that's different or new. & although we have people claiming to be "libreals" & "conservatives" (when it comes 2 change) EVERYBODY; hates change. This article doesn't really bother me; except the part about Ayu=Mary J??? What's ^ with that? I wonder what was going through his/her head when he/she said that...O.O |
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#27
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Interesting read, thanks for the article.
lol complete opposite for me though. So far my interest in "what's hot" in the UK has gone from minimal to zero. I turn on the radio and have no clue who's singing, honest. And lol at Aisha's comments on Sean Paul XD He really does mumble a lot doesn't he
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I admit... I am now addicted to WoW... ...if you play on my server, don't forget to say hello =) Khadgar (EU) // 2H Holy Paladin // < Silver Dragon Society > |
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#28
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Quote:
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#29
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^SS do you mean "America is the biggest" or did u mean Japan??? Ehh, I see it more as a "growing" process. Like to me, Japan has a bigger music industry than ours because they are so creative & know how to mix the old with what American/other countries do to make a totally different experience. It's bigger to me because you never hear of Ayu, Namie, Mika & Koda Kumi all singing the typical love ballad at the same time. Each singer is unique. It's almost like (to me) when I look at TRL or 106 & Park Countdowns every singer in America is singing the same kind of song to the same kind of music in ANY genre. There's just so much confusion for me.
I know it may not make much sense to you or anybody else but I feel that Japan's industry is bigger than ours because of it's variety. Although American is partially responsible for making the variety they've come to this point in the music of today where everything is similar to something else. At least that's how it is 4 me... |
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#30
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basically, i dun think language is a big problem, at least they should try to listen some foreigh music, maybe they will change their mind
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#31
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You are talking about the quality of the music, I am talking about the sales.
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#32
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u are SO right and I´m not gonna discuss either.... in Brazil, same thing.
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because we are going to be together untill our next life... - I´m in love |
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#33
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Kind of the same story with the music. Just because you influence so many countries, it doesn't mean that you can turn deaf ear upon them. I mean, and I did state this before, Japanese artists like Ayu or Ai can put hidden meanings into things that no American artist really can. That's one of the differences, they way lyrics are conveyed in both countries. Another difference is the composition. I rarely see any REAL instruments in America now; a lot of music is really synthesized with may be one real instrument in the background. The "composers" claim that they have made masterpieces, but to compare something from those so called "composers" to something like "I am...", "M", "Planetarium", or "Kingyo Hanabi" is like punching the American composer in the kidney; it's that mediocre compared to those songs, and that's only a few of what the Japanese REALLY have to offer. Also, the singing. Most artists in America synthesize their voice, while someone like Koda, Ayu, or Ai can sing naturally live over five times within a month. Plus, Avex pushes their artists to their limits, holding not only "A Nation", but the artist's individual tours. Many American artists can't do that without lip-synching one concert or performance. Japanese artists also sing live on TV much more than American artists. You rarely hear a live of an American artist. My OTHER two cents. Like it? |
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#34
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quite interesting article, thanks skal
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#35
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Not all artist have lip-synching. A lot of artist use back up vocals and for the most part use play back (is that the right term?) when they’re dancing and too active to catch their breath. “Many American Artists” is a term you’re using for pop? Britney, Ashley Simpson and so on. Real bands play live and usually don’t require play back. I just think the American market in general works different. Also, the use of "real" Instruments in Japanese and Western music is probably the same. Touring is pushed just as hard on Western artists. Unlike Japanese artists, Western artists often tour most of the world for extended amounts of time. Many labels hold tours and the musicians also have their own tours. This especially seen in the more popular Punk-Pop-Emo scene (vans warped tour for example). A lot of those bands happen sound better live than on CD, btw. I cant speak for R&B and Rap, but I assume all Rap is live and there is no play back, because that would just not be hard core. Last edited by JimmyKoria; 7th May 2006 at 05:05 AM. |
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#36
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I think my summary in one word would be stubborness.
To me, it just seems like people just don't feel like giving music/people/etcetra chances. |
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#37
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As for the lip-synching, I believe the back up on active dancing. I try singing while dancing, and it is hard. But as for the workload, I find some Americans do less than Japanese artists, like how BoA and Ayu did both Kouhaku and a COUNTDOWN LIVE, or Ayu in her Japan Record Award days. Plus, some artists don't last long enough to even have a tour. Well, yeah, I guess a lot of bands use "real" instruments, but when you look at mainstream music, they feel much more synthesized to seem real in the first place. But to be honest, to see the Japanese music economy slum when the music itself is probably at its highest so far is kind of sad, while Americans rap artists that don't even make sense can outsell (even by ratio) someone like Hamasaki Ayumi. T.T |
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#38
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#39
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Ahh tough. But the fact is that people relate better to their mother tongue better, so you see the British wanting english pop.
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#40
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Wow, you just got me thinking... US is the biggest music market right? And thus, if an artist wants to make a big profit, it's released in the US. In order to play "safe", artists make stuff that sounds "Us-y" so american music market will affect the world market a lot. Imagine if a different country had been the huget market, like f.ex japan.... ANd what will happen when the chinese market grows bigger? Perhaps chinese music will be the new "mainstream music" affecting the world... |
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